An Atelier of One · London

Wooden objects, made entirely by hand.

Each piece is conceived, drawn, sawn, planed, joined, and finished by hand. Pieces are infrequent. Considered. Not for everyone.

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A walnut box, hand-finished, by EK Atelier
Ekaterina at the oak — hands against the bark Ekaterina, in profile, against the tree

By Hand

The maker, the wood, the time.

I grew up climbing cherry trees and apple trees, hiding in their branches, feeling the bark rough against my palms. The garden was my whole world. I knew every tree by heart.

Then came fifteen years in cities. Glass and concrete. Screens and schedules. Somewhere along the way, I forgot how it felt to touch something real.

One day I held a piece of oak in my hands and something shifted. The grain beneath my fingers. The weight of it. The quiet presence of something that had grown for a hundred years.

I make things from wood now. Not seasons. Not trends. One piece at a time, when the time and the wood are right. The grain dictates the form as much as the form dictates the grain.

Ekaterina Kharchenko

The Atelier

A workshop, in London.

Worked in English oak, American walnut, and woods chosen for the piece. Hand-finished with natural oils and waxes. No production runs. No shortcuts.

Materials

Hardwoods sourced from sustainable mills. Each plank chosen, drawn from, set aside, returned to. The grain is read before the cut.

Process

Drawn by hand. Sawn, planed, joined, sanded, oiled, waxed. Slowly. As long as the piece needs. No two pieces alike, even from the same tree.

Practice

One maker. One workshop. A few pieces a year, completed when they are done. Each carries the trace of the hand that shaped it, and the signature of the woman who made it.

Collection 001

Walnut and maple.

Pale maple, carved by hand, against dark walnut — dishes, boards, rests and chopsticks. A table, considered.

Figured walnut boards, angled and stacked in soft light
Place settings at an angle — carved maple dishes on walnut bases, with chopsticks
A hand resting on the wave-carved maple board, showing its scale
Seen from above — carved maple dishes, chopsticks and the long carved board
A large carved maple dish raised on a walnut base
The wave-carved maple board on its walnut base, dishes alongside
Walnut and maple dishes together, with walnut chopsticks
The collection laid out — carved maple dishes above, carved walnut below
Place settings in soft light — a carved maple dish on its walnut base
Three place settings from above, each with chopsticks and a maple rest
Two settings from above — maple chopstick stands, walnut boards and carved maple dishes
A large maple dish, its figured grain left smooth
A carved maple dish on its walnut base, boards behind
A figured walnut board with walnut chopsticks and a maple rest
Walnut boards and carved maple dishes, seen from above

A selection

Other pieces from the workshop

Objects to be touched.

A hinged walnut box, opened
A walnut box with two compartments, opened
A walnut box with sliding lid
A walnut box, in profile
A walnut letter divider
A walnut letter divider, in profile
An oak vessel with a candle stand
An oak candle stand with carved fluted candle
An octagonal oak serving board on marble
An octagonal oak board, top-down on marble
An octagonal blackened oak platter, top-down
An octagonal blackened oak platter, edge detail
A walnut storage box, finger-jointed, top-down
A walnut storage box with stepped sides, three-quarter view
A walnut storage box on white marble, finger-jointed corners
A walnut pen holder with two pens and a leather pen case
An ash sculpture, three flowing forms on a stepped base, three-quarter view
An ash sculpture, three flowing forms on a slim base, against a soft wall
A pair of abstract ash sculptures with flowing organic forms on stepped bases
Walnut serving boards on linen placemats, with patterned bowls and a fruit arrangement
Walnut serving boards on linen placemats, table setting in soft light
Four walnut floating shelves arranged on a pale surface, in soft light
Four walnut floating shelves on a wall, top-down
A tall walnut floor lamp with a glowing light seam and a live-edge base

Commissions

By private commission.

EK Atelier accepts a small number of private commissions each year.

Begin with a letter of intent. Tell Ekaterina what the piece is for, what wood you imagine, who it is for, the story behind it. If the commission is a fit, she will respond personally — with thoughts, perhaps a sketch, and the next steps of the conversation.

Commissions are not transactional. They are conversations that, when the time is right, become objects.

Replies are written by hand, when the workshop is quiet. Patience is a part of the practice.

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Contact

Write to the Atelier

Or write directly to kate@ekatelier.com

Replies are written, not automated. Please be patient.